Giles may refer to:

Matt McGinn (17 January 1928 – 5 January 1977) was a Scottish folk singer-songwriter and poet.

Matthew McGinn was born in Ross Street at the corner of the Gallowgate in Calton, Glasgow in 1928, one of a family of nine. At the age of 12 he was sent to an approved school for two years. On his release he worked in the Hillington factory of GKN, spending his spare time at evening classes and reading. He gained a Trade Union scholarship to study economics and political science at Ruskin College in Oxford when he was 31. After graduating, he trained to become a teacher at Huddersfield Teachers' Training College and went on to work as a teacher in Lanarkshire for three years before becoming the organiser of the Gorbals Adventure Playground.

McGinn joined the folk scene after winning a song contest with a song entitled "The Foreman O'Rourke". He met Pete Seeger in 1961 when Seeger was touring the British Isles. Seeger championed McGinn's music in the United States and arranged for McGinn to be part of a concert performance at Carnegie Hall, where McGinn met a young Bob Dylan. His career in music began during the folk revival of the 1960s but whilst others leaned towards traditional song, McGinn carved his own niche as a humourist and playwright as well as a singer/songwriter. He was a prolific songwriter, drawing on his experiences of Glasgow life for much of his material. He passionately believed in the overthrow of capitalism and supported many union disputes and always sided with the oppressed and down-trodden. His performances in clubs and concert halls were hugely popular. One song, "Coorie Doon," a lullaby for a miner's child, was frequently performed by The Corries & Luke Kelly

Maurice Auguste Chevalier (September 12, 1888 – January 1, 1972) was a French actor, singer, entertainer and a noted Sprechgesang performer. He is perhaps best known for his signature songs, including Louise, Mimi, Valentine, and Thank Heaven for Little Girls and for his films including The Love Parade and The Big Pond. His trademark attire was a boater hat, which he always wore on stage with a tuxedo.

Born in Paris, he made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in four menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in l'Alcazar in Marseille to which he received critical acclaim by French theatre critics. In 1918 he discovered jazz and ragtime and went to London, where he found new success at the Palace Theatre.

In 1917, he discovered jazz and ragtime and toured the United States. Whilst there, he met the American composers George Gershwin and Irving Berlin and brought Dédé to Broadway in 1922. He also developed an interest in acting, and had success in the operetta Dédé. When talkies arrived, he went to Hollywood in 1928 where he played his first American role in Innocents of Paris. In 1930 he was nominated for the Academy Award for Best Actor, for his roles in The Love Parade (1929) and The Big Pond (1930), which secured his first big American hit, Livin' in the Sunlight, Lovin' in the Moonlight.

William Oliver Stone (born September 15, 1946) is an American film director, producer and screenwriter. Stone became well known in the late 1980s and the early 1990s for directing a series of films about the Vietnam War, in which he had previously participated as an infantry soldier. He won further attention - and controversy - with films JFK (1991) and Natural Born Killers (1994). Stone's movies frequently focus on contemporary political and cultural issues. He has received three Academy Awards: Best Adapted Screenplay for Midnight Express (1978), and Best Director for Platoon (1986) and Born on the Fourth of July (1989). British newspaper The Guardian described Stone as "one of the few committed men of the left working in mainstream American cinema." Stone's films often combine different cameras and film formats within a single scene (including VHS and 8 mm film) as evidenced in JFK and Natural Born Killers.